in a full pot of insect and extant
in a cool inkstone to swirl it
with historic handle
where the characteristic is
issue is issue
shot out to receive again
on the dot in unexpected
rows they lazily ride
Bill Brad Larry
Mr. Davis
take the main drag north, or
is it down, where the dark
well you know
it's good to see you, so good to see you
smile last and long, the tune
to think of is whole note
I'll see you out
friends who run with
all the time
in their hands
And I think one way or perhaps two; it doesn’t matter //
as long as one can slip by, and easily //
into the questioning but not miasmal dark. //
Look, here is a stance--- //
shall you cover it, cape it? I //
don’t care he said, going down all those stairs //
makes a boy of you... //
-- John Ashbery, from "From Estuaries, from Casinos" (Hotel Lautréamont 1992)
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