My living room is flooding, waist deep, and I can do nothing
but quiver and hope, like an earwig fallen from the curtain folds
of someone else's bathtub dream. I slip down the white sides
of sleep into morning's muddle, dehydrated, seeking
the flesh and burst of a grape.
This is an unfamiliar house, filled with familiar people who don't
belong together, who don't belong together
just as the courses of a fine dinner are not stirred
willy-nilly and drunk from a skinny glass
like so much Slim-Fast. I squirm through
clouds, dodging uncomfortable greetings,
Detroit-sized potholes, knowing that on these premises
are two people here to take me to a new home.
The rolled up art in the kitchen offers direction,
but its nuances blur into the din of too many friends on one couch.
Guilt extinguishes my street-corner cigarette, leaves no recourse
but the sip of a whiskey and tonic, the night's record,
and the resolve to try, tomorrow.
The Least Successful Collector
Betsy Baker played a central role in the history of collecting. She
was employed as a servant in the house of John Warburton (1682-1759) who had
amassed a fine collection of 58 first edition plays, including most of the
works of Shakespeare.
One day Warburton returned home to find 55 of them charred beyond
legibility. Betsy had either burned them or used them as pie bottoms. The
remaining three folios are now in the British Museum.
The only comparable literary figure was the maid who in 1835 burned
the manuscript of the first volume of Thomas Carlyle's "The Hisory of the
French Revolution", thinking it was wastepaper.
-- Stephen Pile, "The Book of Heroic Failures"
This page was last modified on 2011 December 20. "Last Night in Lansing" by John Sullivan is Copyright ©2003 - 2011, and licensed under the Creative Commons Attribution-Share Alike 3.0 United States License.